The top is set on four pillars supported by square legs. The symmetric pattern of the spacers metal represents a geometric design of the head of a ram, that the tops marked on the edges by a steel profile belong to the horizontal bands the world to the classical architecture.

The geometric references are subtly stated, drawing after drawing, becoming only mysterious traces now only revealed by name.

The manufacture of Ares returns to a forgotten era, repositioning itself like a classical collection even if the simplicity of shape. So the decisiveness of the elements, the materials and of the metal inlays on the edges, the same inlays in saddle leather and wood on the tops, they allude to a timeless wealth in design.